One Small Place
Written for the inauguration of COA's eighth president, Dr. Sylvia Torti, and read at the ceremony on Oct. 20, 2024.
When the priests sold this property
for a dollar to the college, do you think
they knew what would come to be here?
One might think that they lived in
unobtrusive ways, in days of solitude
and silent prayer, but that’s the trick
of the pastoral to soften
the audacity of history.
Come upstairs with me
to the library window, I’ll show you where
their giant neon cross once stood,
a beacon for boats crossing Frenchman’s Bay.
In its place, the first hopeful students
built a windmill, which ignited years later
from the friction of its own movement
and left a flat ring of stones which
now faces, across the bay, an array
of modern turbines, turning steadily.
Ours is the story of beautiful failures
and our faith in what follows. Every ruin
beneath your feet sings of those who arrived
and laments those who were forced to leave;
those who cut the paths and laid the tracks,
paved the roads and stacked the stones
that lined the sidewalk on your first walk
to school, as someone took your hand
and held hope and grief in the other.
The earth now is as noisy as it’s ever been.
Never has it been harder to hear the calls
of birds or the commotion of insects,
the ocean’s chatter drowned out by engines
of trade, the flow of water long since turned
to the flow of money and endless interest.
But these ways of living are not inevitable.
Beneath those mountains are even older mountains.
Behind this sentence is a door we haven’t seen before.
Three miles from here, there’s a path in the forest
leading to the crumbled stones of an old estate
atop granite scraped by glaciers and glazed by fire.
A porcupine lives there, and a fox, regarding each other
from mossy dens on either side of the collapsed road.
I’ll take you there, after it rains, to smell the sweet
firs and see the few chanterelles emerging
steadily from the litter of oak leaves,
to climb carefully down the steps
and find the moldy old boot perched
atop a stump in an empty grove,
a stage in the forest’s theatre.
There’s a common ground for us here
beyond priests and robber barons,
a place where actors and audience
change places: in the classroom,
the field station, the auditorium.
Here, generosity is our greatest
asset, and our inheritance not
something owned but shared in
how we tend and attend each other.
Where a child brings a box to the
wildlife vet and removes the lid
to show a monarch butterfly
whose fragile wings are torn. So small
it is, beside the cages of bobcats
and eagles; small like that child’s hands
in one moment in time, in one small place.
Such a small thing couldn’t make a difference.
Something so small is all that makes a difference.